
BRMB RADIO - A
LITTLE RADIO HISTORY
It's only today, when hear how dire radio has
become, that we can fully appreciate how pioneering local stations such
as BRMB were back in the 1970's and 80's! Read on to find out
why: |
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On this page you
will find some history, some memories, tape recordings of great
programmes from a wonderful radio station, together with BRMB programme
schedules from
1984, 1985, 1988 & 1989.
BRMB - 'Because It Takes A
Friend To Get You Through The Day'
As a bit of
a preamble I
distinctly remember, as a nine year
old lad in 1974, tuning into the test transmissions on 261 meters (1151
kilohertz) medium
wave on a little six transistor 'Harmony' AM pocket radio that was made
in Hong
Kong. For several weeks the IBA's radio transmitters carried test
transmissions from the new BRMB radio station and these consisted of
music and announcements. I was
fascinated by these unusual new sounds and remained tuned in
constantly,
carrying the little radio around everywhere - even on a visit to the Da
Corrado restaurant on the Stratford Road one Sunday lunch time! I
remember three of the music
tracks
played as being the orchestral work Finlandia by Sibelius, Meet Me On
The Corner by Lindisfarne and Streets Of London by Ralph McTell - among
many others.
The IBA (The Independent Broadcasting Authority) was a body formed out
of the old ITA (Independent Television Authority) with the passing of
the Sound Broadcasting Act of 1972 which gave it additional
responsibility for the introduction of commercial radio into the
UK. The organisation that won the franchise from the IBA
to
run the Independent Local Radio service for Birmingham was "Birmingham
Broadcasting
Ltd" who would use the on air name of BRMB RADIO. BRMB was
the
fourth of the IBA's ILR stations to go on the air, after LBC and
Capital Radio in
London and Radio Clyde in Glasgow.
BRMB had moved into part of a building in Aston in Birmingham that had
previously been occupied by the ATV television studios in the
1960's. The
building was re-named RADIO HOUSE and the postal address was:
BRMB
RADIO
Radio House
P.O. Box 555
Birmingham
B6 4BX
Switchboard Tel: 021 359 4481/9
On Air Telephone: 021 359 4011

Ed Doolan on BRMB Radio
(Photograph circa 1976)
BRMB launched at breakfast time on 19th February 1974 - right
in the middle of 'The Three Day Week' - a period of industrial unrest,
strikes and power cuts - which also put the BRMB transmitter off the
air for a short
time on its first day of broadcasting! The very first voice
heard
on the new station was news man Brian Sheppard, while the
former ATV
television announcer
Kevin Morrison [a James Mason (actor) sound-alike] was BRMB's first
breakfast show presenter. The now iconic broadcaster Ed
Doolan
joined BRMB from German international broadcaster Deutsche Welle to
present the afternoon show with the emphasis on information,
features and interviews. The output of BRMB had a heavy
emphasis
on a
'community radio' style of broadcasting whereby the station
communicated with its audience and got involved in Midlands life,
rather than simply talking at and playing music to the
listeners.
Like most Independent Local Radio (ILR) stations, BRMB's output
contained a good deal of music,
but that was not
the be all and and all of its output - interaction, news, sport and
information was a very
important constituent of its wide ranging programmes.
John Russell was BRMB's first Programme Director. You can read John Russell's inside story HERE >
A short time after BRMB launched, George Fergusson took over the
breakfast show from Kevin Morrison who left the station to go on to
work in other media fields. In 1976 the legendary Les Ross joined BRMB to
present
the breakfast show. Les had worked for BBC Radio Birmingham (now
BBC
WM)
before BRMB launched and BRMB's management failed to hire him for the
launch of BRMB. Les left BBC local radio and the city of
Birmingham in 1975 to work for Radio
Tees, another commercial ILR station in Stockton on Tees.
BRMB
saw fit to
tempt Les back down from Teeside in 1976 and he stayed with BRMB (and
sister station XTRA AM)
until 27th
September 2002.
Dave Jamieson was one of the early presenters at BRMB, well known for
presenting the late show at the time, and Dave has kindly
added the following to to our account:
"I was
there from
1975, joining just before the first birthday from BBC Radio
Leicester. My colleague there, Adrian Juste, had already made
the
move to BRMB, and I followed 6 months later. I started as the
swing guy (i.e. sitting in for anyone who was on
holiday), plus did the Sunday afternoon Top 40 show (a marathon 4 and a
half hour thing), and the Saturday late night show.
(Incidentally, I did a lot of announcing work at ATV as well, during my
time at BRMB - all day time shifts, out of vision, and I always seemed
to get landed with the schools programmes!!)
Brian
Savin moved to
the late night show on weekdays, which I took over from him.
It
was 11 pm to 2 am, and I loved it. If you remember Six of the
Best on Mercia Sound, this is where it was "born". I ran it
on
Friday nights there for ages. My sixth programme at that time
was
the classical music show (can you imagine BRMB having one of these
now?!) on Sunday evenings.
Mike
Owen joined BRMB
during my time there in the 70s as a school-teacher on a training
attachment ... and never left!
I left
BRMB to return
to Scotland (I'm from Edinburgh) and joined the BBC, but didn't relish
reading the shipping forecast for Scottish inshore waters much ... so
accepted an offer from Radio Clyde, and stayed there 18 months until
Mercia came along. I had met Ian Rufus on a BBC training course
(during my days at Radio Leicester) so rang him and said "Gimme a job"!
I
returned to Birmingham in the mid 80s, after [leaving] Radio
Tees to join Central TV
where I spent 8 very happy years. During that time, I got in
touch
with Mike Owen who was Programme Controller [at BRMB], and said I'd
like to do a weekend
show. So he gave me Sundays 8 to 10.30 am as an oldies show,
which
suited me great! Then when the split came, it seemed logical
to
move
the show onto Xtra-AM. But the best bit was that Les Ross, a
good
friend, and a great broadcaster, followed me every
Sunday morning, so we always had half an hour while the music was
playing to chat and put the world to rights. I remember one
Sunday
where we had been chatting (off air) - and I paused and said, "Do you
realise that for the past ten minutes, the two of us - supposed to be
"trendy, pop radio deejays" - have been discussing the best place in
Birmingham to buy soft furnishings?" A sign of middle age
setting
in
..."
[Thanks Dave!]
BRMB Carnival Girls in 1974
[Courtesy Mike Henfield]
I've been clearing out the spare bedroom
and I came across this photo I took of the BRMB girls who took part in
the Birmingham Carnival (my guess is that this is summer 1974). Second
right is Sue Barker, who ran all our community involvement work - she's
referred to in John Russell's excellent history
of BRMB on the website. The girl on the extreme left was our first
receptionist. Unfortunately inclreasing decrepitude prevents me from
remembering names.
Best wishes, Mike Henfield.
THE
BEST ENTERTAINMENT - COMPREHENSIVE LOCAL NEWS - INFORMATION &
SPORT
and THE BEST MUSIC
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In the
1970's and 1980's
BRMB wasn't simply the music 'juke-box' that commercial radio
is today; the station broadcast a very wide range
of programmes from general music and
entertainment shows, to phone-ins, comprehensive sports and in depth
news coverage, specialist programmes for the local communities along
with classical music output. BRMB also broadcast documentary and
feature
programmes that even the BBC would have been proud of.
In
the early days
there was a lot of
talk about the name of the station as many listeners wondered what the
initials BRMB stood for. In actual fact the initials did not
stand for
any particular words but were simply extracted from the name of the
company that ran the station - Birmingham Broadcasting Ltd - to form BiRminghaM Broadcasting Ltd
John Russell, BRMB's first Programme Director, was responsible for
forming the winning formula that made the station such a programming
and financial success. After six highly successful years, John left the
station in 1980 to be
replaced by Bob Hopton, who arrived at BRMB from Radio Tees to take
on the
job, now described as Programme Controller. This position was
later
filled by Mike
Owen in 1984, while Phil Riley took over as programme controller around
1990. (Interestingly after BRMB spent a long period in the wilderness
from 1993 through the 2000's after being subsumed in the Capital Radio
group, then GCap and Global - Phil Riley returned to the helm in 2009.
More of which later.).
Some of the original engineers at BRMB were Quentin Howard and Phil
Dawson who worked alongside the Chief Engineer Dave Wood.
They
organised the installation of all the equipment at the new station and
were responsible for the smooth running of the complex technical
facilities. Quentin Howard went on to work with GWR in
Wiltshire and then the national radio station Classic
FM in 1992 and more latterly the national DAB digital radio multiplex
provider Digital One.
John Henry (of the "Ross and Henry Show" with Les Ross on BBC
Radio
Birmingham circa 1972-3) joined BRMB from Radio Birmingham in 1974 and
was in charge of commercial production (the adverts). John
stayed
with
BRMB for six months before joining Radio City in Liverpool.
Station Executives listed in 1981 were:
Directors. A J Parkinson (Chairman); David Pinnell (Managing Director);
G N Battman; M A Brown; Reg Davies (Sales); J F Howard; J C Mason; E
Swainson.
Executives. David Bagley (Publicity and Promotions Manager); Bob Hopton
(Programme Controller); Brian Sheppard (News Editor); Tony Trethewey
(Company Secretary); David Wood (Chief Engineer).
Ian Rufus, who made Mercia Sound such a great success in Coventry and
Warwickshire from 1980, joined BRMB as Managing Director in 1986.

Phil Riley - BRMB Programme Controller from 1990

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BRMB RADIO - PROGRAMMES & PERSONALITIES
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|
| BRMB
RADIO'S FIRST DAY OF PROGRAMMES |
Time
(some approx) |
Programme:
|
| Breakfast |
Kevin Morrison with the breakfast show. |
| 9:00 am |
Norma Scott and Brian Savin with the
mid-morning show. |
| 1200 midday |
Peter Windows with a two hour lunch time
chat show. |
| 2:00 pm |
Ed Doolan - music, interviews and
news, including the listener market place 'Tradio'. |
| 3:30 pm |
Alan Leighton. |
| 5:00 pm |
Ed Doolan with 'Talk In'. |
| 6.30 pm |
News and Sport with Keith Hayes and Tony
Butler. |
| 7.30 pm |
Robin
Valk - The rock music show (The first ever programme featured an
interview with Birmingham band ELO - the Electric Light Orchestra). |
| 9:00 - 9:30 pm |
News programme (this half hour slot was
gradually reduced over the years to five minutes). |
| 9:30 - 11:00pm |
Robin Valk - the rock music show
(continued). |
| 11 pm |
John Howard with the late show (George
Fergusson also presented the late show on other days). |
| Midnight |
Closedown. |
|
|
Just Some Of The
Names Heard On BRMB in the first two decades of broadcasting:
Kevin
Morrison; George
Ferguson; Les Ross; Norma
Scott; Alan Leighton, Alan Nin; Brian
Savin; Peter
Windows; John
Hedges; Tony
Butler; Ed
Doolan; John
Howard; Stuart
White; Robin
Valk;
Mike
Hollis; Roger Day; Adrian
Juste;
Rev.
John Austen; Nicky Steele; Dave
Jamieson ; Michael
Hartley;
Brendan Kearney; Nick Meanwell; John
Slater; Nick
Hennegan; Steve
Dennis; Phil Holden; Mark Keen; Andy Hollins; George
Gavin;
Tom Ross; Ian
Hardy; Graham
Torrington; Stephen
Rhodes; Simon
Davies; Deborah Kinch; Phil
Gayle; Howard Hughes; Suman
Kang; Tony Huq;
Paul Brown; Terry
Griffiths;
Stuart
Ellis.
More about BRMB's presenters HERE >
You can listen to some Audio Recordings of BRMB's excellent presenters
on the BRMB AUDIO PAGE and more on the AIRWAVES PAGE
BRMB
Sound
News
with
Brian
Sheppard
- BRMB
within the 1970's (courtesy Frazer Sheppard)
Keith Hayes appointed BRMB's first news
team; Brian Sheppard, Mike
Henfield, Rob Golding, Colin Palmer and Sue Todd
were some
of the first journalists on the news team.
Brian
Sheppard
became BRMB's News Editor, and days after his
appointment he found himself commanding the team covering the
Birmingham pub bombings in 1974* [*Thanks
to
Frazer
Sheppard
for
this
information].
Mike Henfield later
went on to
work
for Mercia Sound in Coventry in 1980 as 'Merry Mike Henfield'.
Sue Todd was married to John Russell, the Programme Director. When she
left BRMB she moved into Public Relations in Birmingham before
starting and heading up her own company in Hampshire. She
subsequently went on to be a Board Member of NYNEX Cable TV and Ocean
Sound ( Part of the then Capital Radio Group) She was the first woman
to Chair the Hampshire Branch of the Institute of Directors. John and
Sue moved out of the UK to live in Cyprus. (Thank you to John Russell for
this information.)
You
can read John Russell's history of the early years at BRMB here >
Other journalists/newsreaders and
reporters in the BRMB
Newsroom
in 1975 - 1977 were John Rogers, Maureen Carter (now a crime novelist),
Sue Foster, David Ike, Trevor Reid, Mike Stewart
(later Beacon Radio News Editor), Bob Mills, Ian
Webster,
Rob
Golding,
Sue
Plimmer, Colin
Palmer,
John
Taynton
and
Roger
Walker.
Colin Palmer eventually moved on to launch Viking Radio in Humberside
and then eventually back to Birmingham to work for the BBC, and
subsequently [in 2006]
to Saga 105.7 FM along with Rob Golding.
Thanks to John Rogers of BRMB News between 1975 and 1977 for additional
information. John also notes: "I have good memories of the
professionalism and supportive environment in the BRMB Newsroom under
Brian Shepherd and Mike Henfield."
Another name and voice of the BRMB news team that I remember well is
the unforgettable Merrill Harris. Merrill Harris would often
be
heard reading the
news on BRMB during the Saturday afternoon sports programme with the
equally unforgettable Tony
Butler.
Allan Porter adds:
"Hullo Mike, Many
thanks for an excellent history of BRMB. I read news at the station for
the whole of 1978. One of the antipodeans who was roped in at the time
and I thoroughly enjoyed it. Brian Sheppard was boss and Mike Henfield
another great guy and Rob Golding, Col Palmer, along with all the
others. I was in UK fresh from Hong Kong where I was a DJ
with Radio Hong Kong (English Service) and prior to that the Australian
Broadcasting Corporation and commercial stations in Australia.
My time in Hong Kong co-coincided with the great martial arts movies
coming out of the studios. Bruce Lee was king and Enter the Dragon the
top movie of that era. He died in 1973/4 and his death brought an end
to that genre of movies that found favour among so many movie goers. I
did voice overs for many of the movies along with a handful of others
who worked for the studios. The Hong Kong experience was only eclipsed
by the great environment in BRMB which I thoroughly enjoyed.
Station staff were
invited to go on a shoot with the Territorials. I always thought I
could hit a target pretty well. But Brian Sheppard got the prize.
I still have - and take great care of - a BRMB shirt. A
collectors item? I returned to Australia for family reasons and
missed the station and the work enormously. I took another U-turn in my
career and set up a very successful business operation tutoring the
captains of industry and others on how to give their best when they are
invited to face the reporter's microphone. Thanks again for a
great web of information and my best wishes to all of those, then and
now, at the station. My next visit to the UK I would love to
catch up with them. Allan Porter, Avalon NSW, Australia"
Mike
Henfield
adds:
"Dear Mike, I've just been taking a trip down memory lane via your
excellent website on BRMB. I joined the station as chief reporter in
1973 before it went on air and stayed for six very happy years.
I spotted Terry Griffiths' name amid all the nostalgia. Terry had the
distinction of being one of the few radio presenters ever to knock
himself unconscious while on air. He was doing an evening show at the
time and he thought he'd have just enough time to get to the loo and
back while a record was on. While in the toilet, he realised the track
was coming to an end - so he rushed back down the corridor and into the
studio, colliding with one of the massive speakers we had suspended
from the studio ceiling. Downstairs in the presenters' room they
realised that somethign was amiss - by this time all that was coming
out of the speaker was dead air. They found Terry unconscious on the
floor.
He was rushed to Dudley Road Hospital, where the first person he saw
when he came round was his wife who was a nurse in the casualty
department. Terry soon recovered and was back at the mic in a day or
two - but not before the station had gained a fair amount of useful
publicity from the incident.
Those early days at BRMB were some of the happiest in my career (I have
just retired after teaching journalism and radio production at Salford
University for the past decade). BRMB was a great station - with
probably the best newsroom outside London. It was a sad day when we
didn't get a scoop from Colin Palmer, Dickie Myers or Ian Webster.
Very best wishes to you - and thanks for the fine website. Keep that
flame burning and, as we used to say on the air, say hello to
anyone else who remembers me...
Cheers,
Mike Henfield
Mike Henfield (BRMB 1973-1980)"
February 2010
SIX OF THE BEST
By Quentin Howard
"After much searching, I found a rare gem to stir memories of Friday
nights on BRMB - the theme music for Six of the Best, as used by Dave
Jamieson and later (by me) on Wiltshire Radio. The
instrumental
is "Image", a classic '60s Hammond organ piece by Alan
Haven. Dave used "Image" as a bed under the six
questions
read out at the start and end of the
quiz. SOTB was
on BRMB from 1976 to about 1978 when Dave left his Friday night
slot. At one point, BRMB printed a mini-booklet for
fans,
"Sixty Six of the Best" featuring a selection of the trickiest
questions. I guess that's a measure of how, in
those days,
radio features could became instant
legends.
In 1982 I took Six of the Best to Wiltshire Radio/GWR, and used 'Image'
again for the music bed. It had become so inextricably linked
to
Dave's SOTB, it would have been wrong to use anything else, and in any
case, it's a fabulous piece of 'radio' theme
music!
When I took the quiz to Classic FM ten years later I'd lost the only
tape cartridge copy.
For anyone who doesn't remember SOTB, it consisted of 5 difficult
questions involving hidden anagrams, cryptic clues and red herrings
about news events or local history/landmarks. The
sixth
question on BRMB was a mystery voice (as it was on Wiltshrie Radio,
however on Classic FM Q6 was "The Last Chord" - a single chord of a
classical piece to be identified). Q6
allowed anyone
to have go, including Sandra from Sutton (in her phone
box*). SOTB was a difficult quiz to
set. Dave,
as I remember, would spend several hours making up anagrams and cryptic
clues, and the Classic FM version took a full day set and
check.
In Dave's version of SOTB, he would read out all five cryptic
questions, followed by Q6, the mystery voice, then open the phone
lines. Listeners would ring up, in dribs and drabs to begin
with,
offering bits of answers to perhaps one or two questions.
Gradually, in a sort of collective effort by listeners, the clues and
answers would begin to unravel. However, callers were not
told if
their individual answer(s) were right or wrong, so it was left to
subsequent callers to decide what was correct and try to assemble a
perfect set of answers. Only when a caller
attempted all
six questions would he or she be told how many they had scored right
but never which ones. Listeners then scrambled to assemble
the
correct set of answers (a bit like that plastic peg game,
Mastermind). As the presenter, you could help or
hinder
depending how well the quiz was going and how devious you wished to
be. Callers came on-air in batches of 3 or 4,
followed by a
disc, then 3 or 4 more callers and another disc until the whole thing
had been successfully solved. It could take anything from
30-50
minutes to solve SOTB, but it was the basis for a decent piece of
original radio entertainment. Stuart White (also
BRMB) did
a version on his Sunday lunchtime programme at Severn Sound and the
last time it was on air on Classic FM was 1998."
The "Image" theme music is one of the sounds that defined BRMB's early
years.
Listen to the Six Of The Best theme
"Image"
Grateful thanks to Quentin Howard for the story of Six Of The Best.
Dave Jamieson also presented the Six Of The Best quiz during his time
at Mercia Sound in Coventry.
Razzamatazz was a great fun programme that was broadcast on BRMB every
Saturday morning. See some of BRMB's schedules >
Of RAZAMATAZZ, Rashida
Subedar comments:
"I worked on air at BRMB from 1986-1990 when Phil Riley took over from
Mike Owen and decided there was no room for fluff on air and therefore
promptly
fired me!
I worked on Razzamatazz initially with Brendan Kearney and then
remained on air with Nick Hennegan and we did Saturday morning
Breakfast every week for over 4 years. It was fantastic and shaped me
in every way. Celebrity interviews included (remember they were big at
the time) T'Pau, Mica Paris, Simply Red, Nick Kamen, Brother Beyond,
Deacon Blue and Ben Elton. I even had my hair done by John Frieda after
the show when he came in for an interview. I was 14 when I
first
joined and was 'paid' with freebies - but I was a presenter and was
just thankful to be there and didn't know any better. Yasemen
Hussain was also part of Nick's girly "posse". Our show was fun loving
and was consistently one of the most popular shows on air beating
Romantica and Les's breakfast show at one point.
I still love radio but I'm more a listener than anything else at the
moment, living in London and raising five beautiful boys. The
old
building on Aston Road North still fills me with joy and gives me
butterflies in my stomach. I'm still in touch with John
Slater,
who is now in stage management, Nick Hennegan, who is working for The
Arrow and Ian Hardy, who now lives and works in New York. Phil Gayle
(brother of the author Mike Gayle and now works on London Today) did
overnights for a while in the late 1980's and Howard Hughes was Chris Tarrant's man for a long long
time, and went on to either
Smooth or LBC, I think.
The site is looking fantastic. Thank you so much for taking the time to
do it. It feels like an important part of my life has now been
validated!"
Thank you. Rashida x "
One of the funniest programmes
on BRMB
Radio was made in 1979 by Jasper
Carrott and many of the BRMB presenters and staff.
This programme was "RADIO ACOCKS GREEN" where Jasper Carrott, along
with
the BRMB team, made a series of sketches about the fictional
local radio station and essentially made fun of some of the BRMB
programming at the time.
Jasper Carrott and the BRMB presenters all had characters to play, be
they Radio Acocks Green presenters or phone in callers.
Listening
back to the snippets of Radio Acocks Green cassette recordings that I
have, those taking part alongside Jasper Carrott included Brian Savin
and Ed
Doolan. Production was by Phil Dawson.
As an
example, there was a spoof radio commercial for "Super Oriental
Detergent" which proclaimed "If DAZ doesn't whiten it and OMO doesn't
brighten it - SOD IT!" Other sketches included Tony Waiter, a take off of BRMB's legendary
sports presenter Tony Butler, "Open
Line" with Brian Nunn (rather than BRMB's Alan Nin) and "Tradio" where
Radio Acocks Green listeners could sell their unwanted goods, as long
as they cost no more than 5 pence!
We only have a short recording of 'Radio Acocks Green' on tape, but you
can hear this small but very amusing extract on the BRMB
AUDIO PAGE.
|
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Unfortunately my family
decided that it
would be really good to have a shopping expedition in Peterborough on
one of the days that Radio Acocks Green was transmitted on BRMB during
that Easter holiday! Of course I took my trusty little
'Ultra' portable AM/FM radio cassette recorder with me, but BRMB faded
out long before we reached Cambridgeshire, so I missed that
episode. There is at least one other missed episode
too. Maybe you have some of these classic radio
moments
hidden away on a cassette tape somewhere?
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|
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IF YOU
HAVE ANY RECORDINGS OF RADIO ACOCKS GREEN, OR KNOW ANYONE ELSE THAT
MIGHT HAVE SOME OF THESE PROGRAMMES ON TAPE - PLEASE LET US KNOW!!!
WE'D
REALLY LIKE TO HEAR MORE OF THIS AMUSING MATERIAL! |
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| BRMB
AND
MIDLANDS
RADIO
-
AND
THE
AM
SPLITS |
In 1988 BRMB joined forces with Mercia
Sound
in Coventry and later with Radio Trent in Nottingham and Derby and
Leicester Sound to form a group called Midlands Radio PLC
In 1988 BRMB experimented with some split frequency
broadcasting whereby normal programmes would continue on 96.4 FM while
golden oldies with Robin Valk or sport was carried on 1152 kilohertz
(261 meters)
medium wave. This experiment led the the setting up of a full
time AM
only
radio station in April 1989 called XTRA
AM.
XTRA AM concentrated on playing 'Classic Hits' from the
1950's
60's 70's and 80's and the best of current chart music. The
enduringly popular, and household name, Les Ross moved to
XTRA to
do breakfasts and the revered BRMB Sports programming was also moved
from BRMB FM over to XTRA AM.
BRMB
- MUSIC POWER
BRMB RADIO became BRMB FM - MUSIC POWER and re-focussed its output on
current chart music and employed the services of new DJ's including
Simon
Davies and Deborah Kinch who presented the all new BRMB FM Breakfast
Show. Graham Torrington remained on BRMB FM for a while and
Brendan Kearney, who had left BRMB a few years earlier, returned to the
station in 1990 and, as well as his daily breakfast show, did a
double-header with Andy Hollins on Saturdays called "Hollins and
Kearney". The
format ended in tears though after they had a big bust up on air one
morning! You can hear the audio recording of this on-air bust up on our
BRMB Audio page. Phil Holden
stayed with BRMB
FM
for a few more years until around 1992.
Midlands Radio PLC sold out to Capital Radio in 1993. Capital
Radio kept BRMB FM and the 1152 part of XTRA AM but did not want the
rest and in 1994 sold Radio Trent, Leicester Sound and Mercia Sound to
GWR. It was around this time that Tony Butler, who had been
sacked by BRMB in 1984, re-joined the company to present the breakfast
show on Xtra-am.
GWR also bought Beacon Radio around this
period.
Strangely,
with the government's de-regulation of the radio industry with a new
broadcasting act in 2004 which allows radio groups to own far more
radio stations, GWR was bought up by Capital Radio PLC to form a merged
group called GCAP. More about the developments in ownership,
further de-regulation and loss of local programming here.

BRMB RADIO - IN THE NEWS
|
John Slater decided to leave BRMB in 1991. You can hear some
audio clips of John Slater in the BRMB AUDIO section below.
John Slater presented one of the very best serious music programmes on
any radio station in Britain and so when he announced his departure it
really was a huge shock. The news was announced by the Birmingham
Evening Mail in this way:
|
SHOCK AS TOP DJ
DECIDES TO QUIT
Exclusive
by
Graham
Young
Birmingham Post and Mail Newspapers 1991
BRMB's John Slater is to quit the station days after making his biggest
ever personal appearance by broadcasting live to an audience
of
70,000 at the Monsters of Rock Festival.
The news will come as a double blow to local rock fans because Paul
Flower's Radio WM show will be axed after tonight.
John joined BRMB 14 years ago [1976] in a technical capacity and has
been presenting the evening rock show for the past eight years. He has
done 1,500 Interviews, commissioned 50 concert recordings and
supervised 150 sessions - as well an helping to encourage interviewees
to sing acoustically in the studio to just one guitar.
As the Evening Mail revealed last week, John will become the first
local radio DJ to host this Saturday's Castle Donington festival after
headliners AC/DC refused to allow Radio 1 to broadcast the event
live. He landed the festival slot after having already
decided to
quit BRMB on Thursday, September 5.
"I will be very sad to leave, but it's my own doing" he said. "It is
time to go on and do something else. I have one or two Irons in the
fire, but I don't really know what I will do. I don't think that you
can spend your whole life doing the same thing, but I would like to
stay in the music business."
In the absence on holiday of BRMB Managing director Ian Rufus, sales
chief David Bagley said: "John will be sadly missed. I am
sure
everyone will wish him well."
Mr Bagley added that he hoped BRMB would be able to continue promoting
local
music.
|
|
After a year presenting The Hollins And Kearney Show, the duo split up
in this way:
|
BRMB PAIR STORM OUT AFTER STUDIO
ROW
The
Birmingham post
Monday December 30th 1991
By Jason Lewis
Startled listeners heard two Birmingham radio presenters have a furious
row in which one swore at the other before both stormed out of the
studio. The argument between DJs Brendan Kearney and Andy
Hollins
was
heard by thousands of listeners tuned to the city's independent radio,
BRMB, yesterday lunchtime.
The row started during a live review of the year of the pair's regular
Sunday show. Listeners heard Hollins swear at Kearney before
he
stormed out of the studio slamming the door behind him at 11.50am.
Kearney then followed. The station played continuous music
and
advertisements until about 12.30pm when the lpm programme presenter,
Stuart Ellis, came on air saying he was starting his show
early.
Meanwhile, the pair continued their dispute in the corridor outside.
Last night Mr Alan Carruthers, BRMB's programme manager, said the
disagreement seemed to have started over excerpts being played from
their previous shows. Kearney was at the studio's controls and was
selecting the different pieces while Hollins sat at a microphone.
"It seems Andy thought Brendan was trying to get at him with the pieces
he was choosing," Mr Carruthers said. "The show centres
around
the
double act, with them trying to out do each other, playing off each one
another and winding each other up. On this occasion it seems to have
been too much." Mr Carruthers said the rivalry between the
two
presenters had increased over recent weeks over a competition which
required listeners to say which of the pair they liked best.
Mr Carruthers said he intended to speak to both men about what had
happened. He said: " But the station does not want to lose
either
of
them over an incident like this."He refused to discuss whether either
of the presenters would be disciplined.
|
|
|
BRMB's Ross To Quit
Exclusive
by Graham Young
Birmingham Post and Mail Newspapers
Move Ends 13 Year Run
Les, Ross, BRMB's breakfast presenter
for a
record breaking 13 years, is to quit the station he helped to make such
a success. Next month 40 year old Les will be replaced by a
"boy
and girl" team as he moves over to XTRA-AM, the new
Birmingham based sister station for BRMB.
Sinion Davies, aged 20, has been signed from Wrexham-based Marcher
Sound, and will take over from Monday, March 13. His partner will be
22-year-old Deborah Kinch, who was known as "Delightful
Deborah"
on BBC Radio 1's Steve Wright Show.
Les, who believes he may warrant a place in the Guinness. Book of
Records for having done the same daily show longer than any on
British radio will be aiming for 35 to 50-year-old listeners.
The new radio station will be launched by Midlands Radio Holdings on
April 4. XTRA-AM programme controller Phil Riley said: "It's a great
coup to have Les Ross as breakfast show presenter."
Les, although in favour of more radio stations, is sad at having to
leave BRMB after such a long run - a move which indirectly results from
the Government deciding that radio stations with AM and FM wavebands
must split frequencies.
He said: "I am looking forward to the new challenge with great
enthusiasm and it is great to know I will still be talking to people at
breakfast time."
"I wish Simon, Deborah and the rest of BRMB's new breakfast team the
best of luck. I know BRMB listeners will give them a warm welcome"
BRMB, 15 years old, will now unashamedly go after Radio 1's
young
audience now that it no longer has to try appeal to everybody.
Programme controller Mike Owen said: "This change gives BRMB's
breakfast show a great opportunity to be the liveliest, freshest,
fastest breakfast show around
"Radio1 is frightened of. giving women presenters a high profile. I
will be giving Deborah her own programme too."
|
|
|
|
|
|
PROBLEM ADVISER QUITS
Exclusive
by Graham Young
Birmingham Post and Mail Newspapers
August 1988
Michael
Hartley,
the Sunday evening problem adviser has left the station after nearly
six years.
Mr Hartley said that he quit the 15 year old Open Line programme
because of a "difference of opinion" between him and programme
controller Mr Mike Owen. Mr Owen is on holiday, but deputy
programme controller Mr Brian Savin
said of Mr Hartley's departure; "He has left - for reasons of his own."
Last
year thousands
of listeners heard a 15 year old Birmingham schoolgirl threaten to kill
herself but Mr Hartley kept her talking for 40 minutes and engineers
were able to trace the girl to a city centre call box. She
was
later escorted home by one of her teachers and a woman police officer.
This
Sunday,
listeners heard temporary replacement presenter Nick Meanwell and a
woman from the Samaritans answering problems. One woman
caller
got so emotional that she had to be taken off air to talk to another
Samaritan volunteer on a private line.
But
next Sunday the
Rev John Austen will return to the slot which he filled for six years
before Mr Michael Hartley until he left to concentrate on the Aston
University chaplaincy. He said at the time: "It is
real.
People are interested in other people's lives, but you must never
exploit their problems."
|
|
|
|
|
|
BRMB's Nicky Steele Axed
By Graham Young
Birmingham Post and Mail Newspapers
September 11th 1989
Housewives' favourite Nicky Steele
has left BRMB after 13 years - two days after the arrival of
new head of programmes Phil Riley.
The new man wants BRMB to attack Radio 1, which has been building up
its share of a growing radio audience in Birmingham. He felt
41-year-old Nicky was not the right man for the job. Nicky's contract,
-which had until the end of October to run, is not being renewed.
Mr Riley, who joined BRMB from sister station XTRA-AM, which he will
also continue to run, asked Nicky to leave immediately after his
morning show last Friday. Mr Riley said: "I have certain plans for BRMB
and I didn't feel Nicky fitted into those plans."
"Nicky leaves with my best wishes and no animosity. He is not too old -
age has nothing to do with it. He is a talented broadcaster and I am
sure he will find employment on the radio in this city with
deregulation coming up. There is no ulterior motive."
It is the second time that Nicky has left BRMB very quickly.
He is developing the Nicky Steele Discotheque Agency.
|
|
|

FOND MEMORIES OF BRMB FROM QUENTIN HOWARD
|
With
grateful thanks to Quentin Howard who sent these memories of BRMB to me
in March 2008:
"Mike,
Here's some
more stuff for your page on BRMB.
I joined as
an engineer in
1976, by accident. As a 2nd year engineering
student in
Rugby I'd been on an anorak visit to see Dave Wood, the Chief Engineer,
to gen up on something. Dave lee, one of the BRMB
engineers
interrupted our meeting to ask how Dave intended to cover the shifts
whilst one of their other engineers was recovering from an operation
for 3 months. Dave hadn't thought about it and as I
was a
sandwich student (I had to find engineering employment until academic
studies resumed the following January) I piped up and offered to cover
until Christmas. Very cheeky, of course, but Dave hired me on
the
spot for £36 a week and I so started on 18th October, the
same
day as Mike Hollis and not long after Les Ross started doing breakfast
on the station.
My time at
BRMB was
undoubtedly the happiest and most inspiring of my radio
career. I would spend hours in the studio, being
Les Ross'
audience, sitting in on Dave Jamieson's late night show, and learning
my trade from the finest bunch of engineers you could imagine.
I returned in
January to
do tech-op shifts, driving the studio for the evening phone in
programme with Sue Barker, or the late Sunday evening lonely hearts
show hosted by Alan Nin.
One Spring
Saturday in
1977 I was in the control room watching Terry Griffiths tech-op Tony
Butler's sport show. 5 hours of the most hectic and intense
operations anyone could imagine. The TO had to
drive the
desk, load and fire commercials, handle 6 live OBs from each of the
local matches, plus phoned -in reports, play the music, including
Tony's famous theme tune which he'd want played whenever he got his
"prayer mat" out to encourage Villa to score, and finally the two hour
live phone in from 5 to 7pm.
Just before
half time
Terry asked me to "watch the controls" whilst he went to the toilet,
and didn't come back until 7pm. It was a baptism of
fire
but from that day on until I left BRMB in 1979 I was Tony's tech
op. The sports show was a legend, and I remember
one day
the BBC came to visit. Radio 2 (which at that time did their
major Saturday afternoon sports show) dispatched half a dozen of their
producers and SMs to see how this Birmingham "legend" was
broadcast. They were utterly gob smacked to see
that the
show consisted of Tony in the studio, George doing the racing results,
Dave Wood's secretary was the runner between newsroom and studio with
ripped off telex results , and then there was me operating the studio,
dealing with the OB's, match round ups and filtering (i.e. producer)
for all the punter's phone calls. That was
it. The
BBC probably had an army of hundreds doing the same thing (without the
commercials, of course) and kept asking me how on earth we did
it.
The famous
delay system
was 4 seconds, not 7. This was physically the longest tape
loop
we could create using rollers and guides on the Technics reel to reel
that served as the delay system. Dave Wood's view was that if
you
couldn't bleep out a "f**k" in 4 seconds then you didn't deserve to be
a tech-op. The "bleep" was a four second
jingle which
simply blotted out the offending bit. If the phone
in was
going a bit slow then Tony and I would discuss my pressing the sensor
button to make people think someone had sworn. That always
got
the lines lighting up!
In fact,
there were only 4
phone in lines - 021 359 4011 - so the tech op had to work
quickly to get the callers lined up, on-air, and off again quickly to
free up the lines for new callers. You
could always
spot a dodgy punter, as soon as you took their call. It was a
sixth sense. Occasionally a dodgy one would get on
air and
many a time Tony would just give you the eye through the glass and you
both knew to be ready with the bleep button.
The famous
Jasper Carrot
sketch about Tony's programme is all true, and the incidents he refers
to including sports reporter 'Harry Trethewey' at the Wolves saying
live on air that the interviewee he'd lined up after the match "has
just fu**ed off, Tone". I was the tech op and Harry Trethewey
(real name Tony Trethewey - he was BRMB's chief accountant) was that
reporter.
Many a fine
time was had
at BRMB, including Dave Jamieson's memorable last late show.
I
had gone round the entire staff recording their brief
farewell
messages for Dave and recorded them over his show's theme tune
cartridge which Dave was to play coming out of the 10pm
news. How we laughed!
Or the times we
struggle back from The Avenue (the local pub) with a somewhat worse for
wear presenter and prop him up in his seat with hand on the fader ready
to start his programme.
In my 3 years
at BRMB I
learned my trade and am indebted to Dave Wood for teaching me
everything I needed to know to become a manager which stood me in good
stead when at the tender age of 23 I went off to be Chief Engineer at
Severn Sound.
The early
years of BRMB
were magic beyond compare - we were all pioneers and
fearless. That spirit doesn't exist in radio
today.
Shame.
Regards
Quentin"
March 2008
. |

BRMB
RADIO
-
THE
AUDIO
FILES

|
VISIT
THE NEW BRMB AUDIO PAGE - HERE
|

BRMB RADIO - THE PROGRAMME SCHEDULES
|

|

|
Printed
BRMB
Programme
Schedule
October
1984
Back Cover
|
Printed
BRMB
Programme
Schedule
December
1985
Front Cover
|
|
|

BRMB
RADIO
-
THE
TRANSMITTERS
AND
FREQUENCIES
|
The
IBA
(Independent Broadcasting Authority) owned and operated the
transmitters on behalf of BRMB. BRMB, as with all other
commercial Independent Local Radio stations (ILR), paid what amounted
to a rent to the
IBA in
order to use these transmission facilities.
For Medium Wave the IBA installed the transmission equipment at Langley
Mill, just to the north east of Birmingham. This comprised an 800 Watt
transmitter and
a highly directional, and rather unusual for its day, four mast aerial
system which directed the main beam of power south-west across the city
of Birmingham with an equivalent radiated power in this direction of
3000
Watts (3.0 kW e.m.r.p.). The frequency was 1151 kilohertz though
at this time
most
people worked in wavelengths and expressed this as 261
meters.
Most radio stations of this era, including BRMB, simply announced the
medium wavelength in meters - so it was "261 BRMB RADIO"
For VHF / FM the IBA installed the transmission equipment at their very
tall Lichfield mast located near Hints in Staffordhire.
Lichfield
was the original mast,
installed by the IBA's predecessor the ITA, to bring VHF, 405 line
black and white television to the Midlands - ATV. The VHF / FM
transmitter for BRMB used directional aerials which were directed
southwards
across
Birmingham with a maximum effective radiated power in that direction of
2000 Watts. (2.0 kW e.r.p.) The frequency used was 94.8 MHz and,
unlike BBC
local
radio, the transmissions were in stereo, as were all ILR VHF
transmissions.

Map Showing The Coverage area of BRMB RADIO.
The solid line shows the VHF / FM contour.
The radiating lines show the total survey area where reasonable
reception should be possible on medium wave.
A special type of transmitting aerial was also used which enabled
transmission of
equal amounts of power in the horizontal and vertical planes of
polarization - this was called "mixed polarization" and aided reception
on vertically oriented car radio and portable radio aerials as well as
providing a good signal for more traditional horizontally mounted
rooftop vhf/fm aerials often installed for home hi-fi stereo systems.
Mixed polarization was pioneered by the IBA for ILR stations such
as
BRMB and is a system that was also adopted by the BBC years later.
In November 1978 BRMB's medium wave frequency was adjusted from 1151
kHz to 1152
kHz to fall into alignment with a new 9 kHz international frequency
spacing
plan. This tiny adjustment did not affect listeners in any
noticeable way and was not announced by the station. BRMB was
still essentially at the 261 meters spot on the dial. (1151
kilohertz and for that matter 1152 kilohertz is just another way of
expressing the 261 meters position on the medium wave radio dial).
The big frequency change that did affect BRMB, and many other local
stations around the country, was the national re-organisation of the
VHF / FM band between 1985 and 1987. Though a great number of
listeners still chose medium wave to listen to the radio, very many
took advantage of the high fidelity stereo broadcasts at 94.8 MHz
FM. These listeners had to make the switch from the original
frequency of 94.8 MHz to the
new
frequency of 96.4 MHz .
In spring 1989, after a long fight by BRMB for a more effective
transmitter, the IBA finally installed a new
transmitter at the main television and radio mast in Sutton Coldfield,
which was
closer to Birmingham than Lichfield. The old Lichfield transmitter
was shut
down and transmissions moved to Sutton. The aerials used at Sutton were still
very directional across Birmingham and the Black Country but the
effective radiated power was now up to 10,000 Watts, so while the
transmission area was not greatly expanded, the reception within that
area should have been improved. The map below shows
the
predicted change in coverage area from the new Sutton Coldfield
transmitter compared to the original transmitter at
Lichfield.
The aerial pattern had to be tightly matched to the transmission area
so as to avoid overspill of the signal into the Wolverhampton and
Coventry areas where other ILR stations operated (Beacon Radio
and Mercia Sound). The map also shows the medium
wave (AM)
coverage from the Langley
Mill transmitter.
Predicted
VHF
coverage from new transmitter at Sutton Coldfield
also shows measured VHF coverage from Lichfield
and MF coverage from Langley Mill
|
Measured
VHF
coverage from Sutton Coldfield
|
In 1995 the building that
BRMB and sister station XTRA AM occupied, 'Radio House', was completely
refurbished. However in August 1998 BRMB's management moved the radio
station out of it's old building in Aston brand new studios in Brindley
Place, part of the Birminghams's entertainment quarter, with Radio
House being put up for sale.
The move cost a reported
two million pounds and provided the station with new studios and
offices located above a new "Radio Cafe" concept introduced by the
station's owners Capital Radio. BRMB and sister station Capital Gold
moved into the first floor of the
new building where there were three studios together with a
commercial production suite. The Radio Cafe was intended to be a venue
for bands vising the station while also serving meals and drinks to
members of the public.
Station Director Julie
Fair said: "We're all very excited about the move. We've been in Aston
for around 25 years and our present building has become a bit
drab. Brindleyplace is as central as we could get and it seems to
be where everything is happening. We will be much more accessible for
people to visit us and we feel we will be more in touch with the
public."
Other commercial radio
stations, Heart, and Choice (now Galaxy) together with Central
Television (ITV) were also located nearby in the Broad Street area.
While BRMB remained on the
first floor the Radio Cafe idea turned out to be a marketing flop and
was abandoned. The space is now inhabited by another cafe business.
Today BRMB
today is not the
'all things to all people' type of radio station that it used to be -
an
entertaining,
communicating, community based radio station - and Birmingham, its
population and the radio industry as a
whole is much the worse off for that.
Throughout the 1970's,
1980's and into the early 1990's BRMB Radio provided some truly unique
and wonderful
local radio programming
which, today, is very greatly missed.
The unique culture and locallness of BRMB, a radio station steeped in
its community
is gone - possibly forever which is extremely sad.
James Young comments: "It is only now when you look at what is called
commercial radio with the homogeneous pap programmed by computers
and
distributed from a central source to so-called 'local' stations you
realise how pioneering it all was in the 1970s."
Currently
BRMB
FM
continues
to
be
a
popular
music
station
in
Birmingham
- so a hearty congratulations to one and all for all
past
achievements. Well done everyone involved with "261 BRMB
Radio" - particularly from the 1970's, 1980's and early 1990's !
|
Grateful
thanks to:
Dave
Jamieson
who
provided
many
interesting
details
of
his,
and
other
fellow
presenters',
career
details
at
BRMB
and
other
radio
stations.
Simon
Davies
who
provided extra
details
about
his
time
and
the
programmes
at
BRMB
Al
Cale who sent us some interesting audio clips -
unfortunately we were not been able to include this additional audio
here as we are
short of space for any more large audio files. Sorry, though
it
is much appreciated.
Rashida
Subedar
for
taking
the
trouble
to
supply
additional
information
regarding
the
Razzamatazz
show.
John
Slater
for
additional
material.
John
Rogers
for
additional
newsroom
names.
Terry
Griffiths
for
additional
comments.
John Howard for additional background.
Frazer Sheppard for additional material
Ian Edwards for additional information.
Allan Porter for addition information about the BRMB newsroom.
Quentin
Howard
for
Six
Of
The
Best
and
other
information.
John
Russell
for
The
Inside
Story
of
BRMB
Radio.
Thanks
also
to
all
those
involved
at
BRMB
for
the
fine
entertaiment
that
you
have
all
provided.
|
^Top Of Page
| 2008 - GCAP
bought by the Global Radio conglomerate and puts BRMB & other
stations up for sale |
Since the GWR and
Capital Radio plc merger, to form GCAP, in 2004, the Labour government
and
its equally
useless
regulator
Ofcom, have continually reduced local programming
commitments and relaxed ownership rules.
The Labour government's Digital Report and other industry reports are
likely to weaken any remaining thread-bear commitments to quality and
locally
produced programming still further. Already, by 2009, many so-called local
commercial radio stations provide only the bear minimum of four hours
per day of local programmes.
Stations such as BRMB and Beacon may only
have a locally produced breakfast and drive-time programme with all
other output
networked in from London or elsewhere. Many stations resort to a
technological trick called 'voice-tracking' (VT). In this case the
station merely inserts pre-recorded presenter announcements between
music tracks and commercials from an automated computer play-out
system. Some small stations might sound local to a casual listener
because of some local adverts, but in many cases it most probably isn't
actually the case.
In April 2008 GCAP itself was bought
for £375 million by Global Radio - owners of the equally banal
Heart FM and
Galaxy brands and other
stations such as LBC in London. This formed a massive radio
conglomerate including Capital 95.8 in London, the XFM brands, Choice
FM, Classic FM, the Gold network and the so-called "Hit Music Network"
consisting of BRMB, Beacon, Mercia, Wyvern, Chiltern, Horizon,
Southern FM, Invicta FM, Mercury, Essex FM, Fox FM etc.
However the deal was somewhat too large for the Competition
Commission and OFT to allow, so they required Global Radio to dispose
of a
number of stations. To this end in August 2008 Global put BRMB in
Birmingham up for sale along with Beacon Radio in Wolverhampton and
Shropshire (97.2 & 103.1), Mercia FM in Coventry (97.0 &
102.9), Wyvern FM in Hereford & Worcester (97.6, 96.7 & 102.8),
Heart 106 in the East Midlands along with the associated medium wave,
AM licenses in Birmingham (1152), Coventry (1359), Shrewsbury (1017) and
Wolverhampton (990).
Among bidders for these stations were a consortium headed by former
BRMB Programme Controller Mike Owen, another group led by former BRMB
and Chrysalis Radio executive Phil Riley and another from the German
radio and publishing group Bauer - owner of former EMAP owned stations
in the north of the UK.
2009
In mid May 2009 Phil Riley's group, backed by Lloyds TSB venture
capital emerged as the winning buyer of the
Midlands stations. The original price asked by Global for these
stations was thought to be in the region of £40 million.
From the beginning of 2009 Global Radio started a mass re-branding of
the so-called 'Hit Music' network with the non-descript "HEART" brand.
Famous heritage stations names - so well known since the inception of
ILR - started to be killed off: Plymouth Sound, GWR, Hereward, Orchard
FM, FOX FM, 2-TEN, Ocean FM, Southern FM, 2CR, Invicta, Chiltern,
Horizon, SGR, Gemini FM, Lantern
FM, Q103, Coast, Champion, Marcher Sound - all fell under Global
Radio's axe
to be replaced by the banal Heart network. Power FM in Southampton was
replaced by the
Galaxy brand.
The
further government relaxation of local programming requirements may
allow all these essentially local licenses to transmit what will
effectively be a
full-time nationally networked Heart programme, with the only local
content being locally inserted advertising and minimal local news.
Too much competition, too little and ineffectual regulation as well as
massive pressure from the commercial radio lobby has helped allow
the widespread loss of local radio. The sad thing is that it has been
allowed to happen by the people - but then this might be as much a
reflection on society. Unlike twenty or thirty years ago, people are
far less interested in their own community and local (or even national)
news - much of what is desired is pointless celebrity gossip and other
fluff and pap concerning talentless "Reality TV" names, over paid
footballers and other valueless nonsense. (I
am
getting jaded and I digress.)
What happens to BRMB and the other Midlands stations remains to be
seen. Let's
hope
Phil
Riley
can
show
a
better
commitment
to
local
radio
in
the
Midlands
than
Capital,
GCAP
and
Global
before
it!
Good Luck BRMB!
|
From The Coventry
Evening Telegraph.
September 21 2009
THE boss of the new company which owns Coventry and Warwickshire
station Mercia FM has spoken of his plans to put the local back in
local radio. Phil Riley, chief executive of Orion Media, which
purchased six Midlands stations from Global Radio, believes in closer
links with management and the stations themselves.
He has already pushed through a restructuring programme, transforming
the group from an outpost of the ex-owner’s empire into a
self-contained Birmingham-based company. Mr Riley said: “We will be
more focused on playing the right music for our core audience, more
focused on local content and more focused on events and personality.”
The private equity-backed takeover also included the purchase of BRMB
in Birmingham, Beacon FM in Wolverhampton, Radio Wyvern in Worcester,
Gold in Birmingham, Coventry and Wolverhampton, and Heart 106.
|
|
.
A comment
from reader, James Young:
Mike,
What a
fabulous website on the history of BRMB and so many memories. I
started at Lanchester Polytechnic in Sept 1974 and BRMB was the station
of choice. It is only now when you look at what is called commercial
radio with the homogeneous pap programmed by computers and
distributed
from a central source to so-called 'local' stations you realise how
pioneering it all was in the 70s.
Your
website concentrated quite rightly on how strong BRMB was in the
community and I'm sure John Russell used to do a Sunday classical music
programme. No space for that now in the schedules.
My 3rd
year was a year in industry, so 76/77 found me living in
Shrewsbury listening to Beacon 303. Pioneering in many different ways
with a very N American approach from ND Jay White. Rock show host KKJ
and Mike Baker's American Billboard Chart Show - the fastest show on
two turntables. My 4th year was back in Coventry where I subsequently
worked for a couple of years. A choice now from BRMB and Mercia Sound
with the talented Gordon Astley on breakfast.
You have
amassed so much information on BRMB - its greatest stars
undoubtedly Les Ross (absolutely the best at breakfast anywhere) Ed
Doolan and Tony Butler. I remember the classic 2 way with Tony
Trethewey. I also heard that the bleep loop was used more often in
Tony's programme than it ever was in general election campaigns with
the need to maintain political neutrality. I ended up working in
Engineering at Pebble Mill in the 80s (another great time and
place) and knew Tony Butler when he was in the newsroom on earlys for
Breakfast. A totally fascinating person to talk to.
Sadly the
iconic Pebble Mill is no more; apparently the old ATV/Central
studios on Bridge St are slated to come down as well, as that area is
re-developed but, a quick look at Google Earth and a check in the
postcode directory shows Radio House is still there, but now B6 4DA has
replaced B6 4BX. I wonder why?
Thanks
again for a wonderful website
James
Young
Ian
Edwards adds:
Hi,
I've just stumbled across your site and have whiled away an hour
reading through some of your pages on ILR. I was an engineer at Radio
Luxembourg (1973-1976) Beacon Radio (1976-1980) and BRMB/Capital
(1980-2005) and so have lived through, but forgotten, much of it. You
have gathered more archive material than the radio stations themselves
which is commendable, how have you done it!
I
have quite a library of original audio around the house, and some home
video clips from BRMB days (mid 80's) if I ever get round to it I'll
have a sort through and see if there is anything I can contribute to
your collection. It's also good to see that you still seem to be
maintaining the site - keep up the good work, I'll be back as there is
a lot I haven't looked at yet.
Regards,
Ian
Edwards
^Top Of Page
We
hope
that
this
page
has
brought
back
some
great
memories
of
some really wonderful programmes that would
have been heard on the Second City's only Independent Radio station in
the 1970's and 1980's - BRMB : 261 meters (1152
kilohertz) medium
wave and 94.8 VHF / FM stereo
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